"The model for the painting is my wife's youngest daughter Kasha, who lived with us when we first married. It is not a real likeness, since I deliberately changed the face, but it is still definitely Kasha. Kasha is poised to leave home in the painting. Symbolic I guess. She's holding a lovely pottery pitcher which was the first thing her mother and I bought for our home together. We purchased it on a trip to Santa Fe the first summer of our marriage.
The painting is so soft, quiet and bright, like a new home without furniture. I like that! However, the design needed some balance. I tried other flowers, exhibited the painting, didn't like the flowers, rubbed them out and than painted these.
This little painting was done on a lovely little stained piece of wood - Just the tiniest hit of the wood still shows through in places
."

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